On February, 1 the Ugandan music industry marked eight years since the untimely death of Moses Ssekibogo Nakintije, popularly known as Mowzey Radio, a defining figure in East African Afrobeats.
Radio’s passing at Case Clinic in Kampala came after a violent altercation with a bouncer at a bar along Entebbe Road.
He was initially taken to Nsambya Hospital before being transferred to Case Clinic, where he spent nearly two weeks battling his injuries. His death sent shockwaves through Uganda, East Africa, and the wider African music scene.
Born on January,1, 1985, Radio rose to prominence as one half of the iconic duo Goodlyfe, alongside Douglas Mayanja, known professionally as Weasel Manizo.
Together, they dominated Uganda’s music charts for over a decade, delivering hit after hit and earning international recognition, including a BET nomination. Their most celebrated tracks included “Lwaki Onnumya,” “Zuena,” “Nakudata,” “Nyumbani,” and “Breath Away.”
Radio began his career as a backup vocalist for Jose Chameleone’s Leone Island, before leaving in 2008 to form Goodlyfe under the guidance of former Chameleone manager, Jeff Kiwa. Later in his career, he founded Angel Music, signaling his intention to pursue solo projects—a promising path that was tragically cut short.
His funeral rites reflected the depth of his impact. A vigil at Kololo Independence Grounds, saw fans and artists performing his songs throughout the night.
The following day, a requiem mass at Rubaga Cathedral, led by Rev. Fr. Deogratius Kiibi, served as a poignant reminder for celebrities to lead lives rooted in faith. In his homily, Fr. Kiibi stated in Luganda: “Mukolerere obulambo bwammwe”—work for holiness while alive rather than waiting for prayers after death.
Radio’s death left lingering questions. The bouncer involved, known as Troy, was arrested, charged, and later served a two-year sentence, yet many still feel justice was incomplete.
Family and business disputes further complicated his legacy. Conflicts arose over his estate, particularly the Neverland residence in Makindye, with tensions among his family, wife Lilian Mbabazi, and Weasel persisting years later. Despite disputes, Weasel refused to relinquish the property, underscoring ongoing rifts.
At the time of his death, Radio was constructing a house for his mother, inspired by his unreleased song “Maama.” The project was eventually completed by socialite Brian White, who also built a protective shelter over his gravesite.
Radio’s influence on Ugandan music remains undeniable. From a backup vocalist to a celebrated Afrobeats icon, his angelic vocals, storytelling, and musical innovation have left a lasting mark on fans and the industry alike. His legacy continues to inspire a new generation of artists across Africa.
